Creative operations

One structured pass over every size, before anything is exported.

The review gate is where a campaign either ships cleanly or generates a second round. Working through the same checks in the same order on each output keeps that gate short and predictable.

  • Ten check areas
  • Reviewed at real ratio
  • Editable until export
  • No credit card required · Full per-size control
Ready for review
1080×1080
One approved creative
Adapted formats
1:1 square
9:16 story
16:9 display
Check areas

Eight things to look at on each output.

Work through them in this order. Layout issues are cheaper to fix before typography, and typography before final export settings.

Safe areas

Nothing essential sits in the bands covered by platform interface elements, particularly at the top and bottom of vertical placements.

Text clipping and wrapping

No clipped descenders or diacritics, no orphaned single words, and no headline that gained an extra line in this ratio.

CTA visibility

The call to action is fully visible, clear of UI overlays and edge margins, and consistent in style with the rest of the set.

Image framing

The subject is framed deliberately, never cropped at the face or through a product, and the background is extended rather than stretched.

Logo clearance

Logo size, clear space and position follow the brand rules, and remain legible in the smallest unit in the set.

Font rendering

Correct family and weight throughout, no synthesised bold or italic, and no substituted face in localized versions.

RTL and LTR direction

Alignment, reading order and mirrored elements follow the language of the copy, not the direction of the original master.

Contrast

Text remains legible against whatever part of the image sits behind it in this particular ratio.

Placement rules

Platform-specific requirements.

Requirements differ by platform and change over time. Confirm the current guidance for each placement in the media plan rather than reusing last year's list.

  • Ratio and pixel dimensions match the placement being bought
  • File format and file size are within the platform's limits
  • Text density suits the placement and reads on a small screen
  • Vertical placements respect the platform's UI bands
  • Any required disclaimer or legal line is present and legible
  • Localized versions exist for every market in the plan
Final step

Export verification.

  • Every required size is present in the exported set
  • Dimensions and file format correct for each placement
  • File naming consistent and readable for the media team
  • Each file opens and renders as approved on screen
  • One export spot-checked against the on-screen preview
  • Delivery package matches the placement list in the brief
Outputs stay editable until you export them.
Where this fits

The review gate in context.

This checklist is the last stage of the Tadvio production workflow. The issues it catches are described in why approved creatives break in new formats, the size and placement definitions live in the ad format reference, and the typography checks are expanded in custom fonts across multi-market production. For how the review gate sits inside a wider operating model, see creative operations.

Questions

Frequently asked questions

Why review every size individually?
Each ratio frames the artwork differently. A set can pass at a glance while one format hides the call to action behind platform UI or wraps the headline into an extra line.
At what scale should outputs be reviewed?
At the real delivery ratio, and at the size the audience will see — usually mobile. Reviewing a shrunken grid of thumbnails hides clipping and contrast problems.
What is the most common issue found at this stage?
Text problems: a headline wrapping differently in a narrow format, or copy running close to an edge margin. Both are easy to fix once seen at the correct ratio.
Who should own the pre-export review?
One named reviewer per campaign, working through the same checklist. Distributed feedback per size tends to produce contradictory edits and extra rounds.
Does automated adaptation remove the need for QC?
No. Automation removes the rebuilding work; the judgement about framing, wrapping and legibility stays human, and every output remains editable until export.
What should be checked after export?
File naming, format and dimensions per placement, that each file opens correctly, and that the exported render matches what was approved on screen.
Keep reading
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